now that we are halfway through NAB 2017 I wanted to try to make a list of everything that’s been released or shown in one easy list. This is mainly aimed at production mixers but ive thrown in a few post production items too.
Using your faders is key to mixing, so I wanted to share 2 tips on faders ratio and levels to help try to make your mix smoother on location.
Just wanted to show you a quick guide to micing a child’s helmet. This work such a treat! The pack could have been hidden in the helmet as well but it was a bit uncomfortable for her so with help form makeup and costume we hid it in her long hair and in the back of her hood…..
Unfortunately as great as Sound Devices Powersave function is on the SL6 is to increase the time on it, I can rarely when it is in my bag change it without running out of time. It’s great that it has quick boot but if the time was able to be 20 seconds then my recorder and radios would be extra safe in long takes or power changing situations.
In regards to the Sound Devices 6 series mixers (633 / 664 / 688) what are the downsides of any inputs without physical trimpots? The trim pot is what you use to increase or reduce gain to your track. The tracks without dedicated trimpots on the 6 series recorders only accept line level and though gain can be changed, it is through a menu on the screen while recording, thus limiting you to changing one at a time.
This is a great question about identifying fake Sennheiser MKH 416 short shotgun microphones on Ebay. There where more resources available online but sadly they have been taken down. Essentially this breaks down into a the following issues:
These are what different recording formats on the Sound Devices 688 / 633 and 664.
The different modes are Wav poly / wav poly (ISO Only) / wav poly (LR Only) / wav poly (X1X2) / MP3 (LR) / MP3 (X1X2) / wav mono / Wav Mono (ISO only). All of these only work if you record enable the relevant tracks.