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Matt: …and in terms of I’ve had a question about gathering  impulse responses again just to kind of get a feel for that again, the reverb aspect or say if you’re then trying to drop in something else that you’ve done say in studio, Is that as I quite common?

Rob: You know I did that on Noah. On the movie Noah, we did a lot of nature reporting for Noah and I asked what else I could get the sound designer. He said to me as you know what like everybody has in clean interior impulse responses but there’s like almost no exterior responses.

So what he asked me to do was to go through and every location we’ve recorded outside record the impulse responses. So we brought a speaker with us like a big speaker, a big JBL, plugged it in had 100 foot power cable and then we used a pass game recorder to playback the tones the impulse tones into the speaker and then as our mics were already set up for sound effects recording. So some of them were on mic, some of them were off mic, pointed at different reflections on the mountains and in the terrains that were reporting now. I didn’t use them personally but so I have no idea honestly how it turned out because you know we just did the reporting. 

——- About Rob Nokes ———–

“As a Supervising Sound Editor and Sound Effects Recordist / Designer I strive to provide sound effects that enhance the filmmakers’ story and enable the filmgoer to believe that they are immersed in the story with the characters. Recording and experiencing sounds from all over the world increases my knowledge and capability to select and create the best sound effects for the film.

Over the past few years, I have recorded Fireworks in the Punta Del Este harbor in Uruguay , tropical fish in Saipan, spelunking the caves of Tinian, World War II planes, a Stuart Tank, spelunking the Christmas Caves in the Chezk Republic, numerous Monasteries in Prague, WWII concentration camp, the steppes of Kazakhstan for indigenous voices and music, Chilean racetracks, the LA morgue, go-karts, modified cars, numerous dogs, football games, college basketball, junk yards, F-18 Jets, and a lot more. View my sound effects recording photo library. In addition to recording a lot, I purchase the copyrights to sound effects libraries, most notably SoundStorm (8 time Academy Award nominee & winner for Best Sound Editing), Casablanca (Crash, The Fly), and Master’s Workshop (Michael Jordan at the Max)”.

———— About Matt Price ————

I am a London Sound Recordist and Post production sound editor, dialogue editor and all sound sound lover.

My work spans over 400 projects from feature films, short films, creative content, commercials, documentaries and even Facebook live events and 360 video.

I am passionate about building a more stable base for others in my community to learn and share ideas so we can all be in a stronger position to succeed. That why I have made over 400 blog posts on http://soundrolling.com/blog and also have a reference app you can download and use at http://soundrolling.com/soundrolling-app

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Matt Price

Matt Price

London Sound Recordist

I am a London Sound Recordist and Sound Editor for many types of projects around the film genres. This covers creative content right through to feature films. I am passionate about sharing my journey and knowledge to help the rest of the community. If you need anything from me, feel free to get in touch with me at London Sound Recordist.